Around the Town


Steve Zall and Sid Fish

May 2019


Here are some of the shows you can see in our local theaters this month:

“VIOLENCE: The Misadventures of Spike Spangle, Farmer” tells the story of Spike Spangle, a down on his luck farmer who gets sucked into a whirlwind of celebrity and patriotism. He joins Superman on billionaire Max Enormous’ Celebrity Space Shuttle and a nefarious plot leads to the deification of Spike Spangle as an American hero. Written by Tim Robbins and Adam Simon, and directed by Bob Turton, it runs May 2 through June 22 at the Ivy Substation in Culver City. For tickets call 310-838-4264 or visit

“Anna in the Tropics” It’s 1929, and flaring tensions between old traditions and new ways include the threat of new, mechanical cigar-rolling machines that loom over the factory workers who still roll cigars by hand. Also in danger is the tradition of the “Lectore de Tabaqueres,” who reads out loud to the cigar rollers to break the tedium and pass the time. The arrival of Juan Julian, the new lector, is cause for celebration. But when he reads Anna Karenina to the cigar rollers, he unwittingly becomes a catalyst in the lives of his avid listeners, for whom Tolstoy, the tropics and the American dream prove a volatile combination. Written by Nilo Cruz, and directed by Jon Lawrence Rivera, it runs May 3 through June 8 at the Atwater Village Theatre in Atwater Village. For tickets call 323-882-6912 or visit

“The Secret Garden” follows the story of Mary Lennox, a young British girl born and raised in colonial India. When the ten-year-old’s parents die in a cholera outbreak, she is sent to Yorkshire to live with a reclusive uncle and his invalid son. With the help of a host of ghosts, spirits, and lost souls Mary and Dickon, the young gardener uncover the mystery of the manor’s magical garden, discovering the power of hope and the magic needed to make love grow again. Filled with beautiful soaring ballads, this heartwarming story of forgiveness and renewal is the quintessential musical for all ages. Written by Frances Hodgson Burnett, with music by Marsha Norman and Lucy Simon, and directed by T.J. Dawson, it runs May 3 through May 19 at the Cerritos Center for the Performing Arts in Cerritos. For tickets call 562-916-8500 or visit

“And Then There Were None” Ten strangers are summoned to a remote island. All that the guests have in common is a wicked past they're unwilling to reveal and a secret that will seal their fate. As the weather turns and the group is cut off from the mainland, the bloodbath begins and one by one they are brutally murdered in accordance with the lines of a sinister nursery rhyme. They all claim their innocence but yet they are all suspects. Who is the killer? Who will survive? The tension escalates as the survivors realize that the assassin is not only among them but is preparing to strike again. Written by Agatha Christie, and directed by Michael Thomas-Visgar, it runs May 4 through May 26 at the Morgan-Wixson Theatre in Santa Monica. For tickets call 310-828-7519 or visit

“Daniel’s Husband” Daniel Bixby and Mitchell Howard are a seemingly perfect couple. What isn't so perfect is that Daniel desperately longs to be married, but Mitchell doesn’t believe in it. When an unexpected turn of events puts their perfect life in jeopardy, they are thrust into a future where love may not be enough. Written by Michael McKeever, and directed by Simon Levy, it runs May 4 through June 23 at the Fountain Theatre in Los Angeles. For tickets call 323-663-1525 or visit

“Julius Weezer” Shakespeare’s story of Caesar, with the funk-rock riffs of the resurgent and ubiquitous band, Weezer. This 90 minute hard-driving, heart pounding, adrenaline rush of a show will feature the Troubies in all their classical glory – speaking the speech and strumming the power chords. The production will take advantage of the El Portal’s wonderfully theatricalized confines to create a bloody, bold and resolute retelling of one of Shakespeare’s great tragedies. Age appropriate for eight and up, the show will feature special make-up effects that may disturb some younger guests – after all, Caesar was stabbed 33 times. Part circus, part improv comedy show, part rock concert - with a live band that complements and compels the Troubie cast as they wind their way through the dark and dangerous world of Julius Weezer. Enjoy the madness with the Troubies and be able to say: “I came, I saw, I conquered…and I rocked out!”. Written and directed by Matt Walker, it runs May 4 through May 19 at the El Portal Theatre in North Hollywood. For tickets call 866-811-4111 or visit

“The Long Gravel Road” a new theatre piece that invokes the French actor/director theorist Artaud’s famous radical manifesto on ‘metaphysical Mise en Scene’, which suggests a departure from an exclusively rational text and dovetails into space where movement and sounds are more predominant. A modern re-telling of the Parsifal myth, the story revolves around a man’s primordial recognition of himself seduced in a cosmic overture and by the idea of Individuation, Carl Jung’s term for the life long journey in which a person becomes the complete entity God intended. Written and directed by Abbott Alexander, with music by Garrett Parks, it runs May 4 through June 1 at the Theatre West in Los Angeles. For tickets call 323-851-7977 or visit

“Hershey Felder, A Paris Love Story” Virtuoso actor and pianist Hershey Felder takes us on his own personal journey as he explores the life and music of Impressionist composer Claude Debussy. For decades Felder’s “Great Composer Series” has celebrated the brilliance of Beethoven, Berlin, Tchaikovsky, and more. In this glorious new production, he brings to life a visionary who proclaimed nature his religion, creating music of ravishing beauty, color and compassion. From the sweeping “La Mer” to the evocative “Prélude à L’après-midi d’un Faune” and the mystical “Clair de Lune”, this soaring tribute will never be forgotten. Written by Hershey Felder, with music by Claude Debussy, and directed by Trevor Hay, it runs May 8 through May 19 at the Laguna Playhouse in Laguna Beach, then May 24 through June 9 at the Wallis Annenberg Center for Performing Arts in Beverly Hills. For tickets in Laguna Beach call 949-497-2787 or visit For tickets in Beverly Hills call 310-746-4000 or visit

“Mamma Mia!” On the eve of her wedding, a daughter's quest to discover the identity of her father brings three men from her mother's past back to the Greek island they last visited 20 years ago. The storytelling magic of ABBA's timeless hits sets the scene for this infectious tale of love and frolicking fun, creating an unforgettable musical experience that will leave you dancing in the aisles! Written by Catherine Johnson, with music by Benny Andersson & Björn Ulvaeus, and directed by Snehal Desai, it runs May 9 through June 9 at the David Henry Hwang Theater in Los Angeles. For tickets call 213-625-7000 or visit

“12 Angry Men - By 12 Impassioned Women” In the story, a19-year-old man has just stood trial for the fatal stabbing of his father. It looks like an open-and-shut case until one of the jurors begins opening the others’ eyes to the facts. Sequestered in a small room, each juror reveals their own character as the various testimonies are re-examined, the murder is re-enacted and a new murder threat is born before their eyes. Written by Reginald Rose, adapted by Sherman L. Sergel, and directed by Natalia Lazarus, it runs May 10 through June 15 at the Promenade Playhouse in Santa Monica. For tickets call 310-656-8070 or visit

“The Christians” When the pastor of a mega church unilaterally decides to enlighten his congregation with his own personal revelation, he is faced with doubt and dissension among his flock. Written by Lucas Hnath, and directed by Thomas James O’Leary, it runs May 10 through June 16 at the Actors Co-op Crossley Theatre in Hollywood. For tickets call 323-462-8460 or visit

“The Price” In this powerful and provocative play about the true cost of living, two estranged brothers must try to make peace with their past when they meet to dispose of their late father's belongings. Written by Arthur Miller, and directed by John Henry Davis, it runs May 10 through May 26 at the Long Beach Performing Arts Center in Long Beach. For tickets call 562-436-4610 or visit

“M. Butterfly” starts in 1986, with René Gallimard in prison, where he’s serving a sentence for treason. Through a series of flashbacks, his tale unfolds beginning with his time as a member of the French embassy in China during the Cultural Revolution when he fell in love with Song Liling, a Chinese opera star. A longtime fan of Puccini’s opera, Madame Butterfly, Gallimard considers Song to be the perfect woman. But Song is not who she claims to be. Written by David Henry Hwang, and directed by Desdemona Chiang, it runs May 11 through June 8 at the South Coast Repertory in Costa Mesa. For tickets call 714-708-5555 or visit

“Samsara” Katie and Craig are having a baby—via a surrogate—who lives in India. A month before the baby’s due date, Craig reluctantly travels to the subcontinent where he meets Suraiya, their young, less-than-thrilled surrogate. As all three parents anxiously await the baby’s birth, flights of fancy attack them from all sides. Written by Lauren Yee, and directed by Rebecca Wear, it runs May 11 through June 1 at the Met Theatre in Los Angeles. For tickets call 323-944-2165 or visit

“Shame of Thrones: The Musical” Just in time for Game of Thrones’ final season, spoof musical Shame of Thrones: The Musical returns to L.A. for more hilarious re-imagining of the show’s backstabbing siblings, clever imps and dragon mamas, all set to an addictive rock score that’ll stick in your head (unless the king orders it off, natch). Watch your favorite daring and most despised characters sing and dance towards epic plot twists and the coveted Iron Throne. Written by Steven Brandon and Steven Christopher Parker, and directed by Rachel Stein, it runs May 13 through July 8 at the Whitefire Theatre in Sherman Oaks. For tickets visit

“Invisible Tango” Storyteller and master illusionist Helder Guimarães­ returns to the Geffen Playhouse to share his personal perspective on how we can experience mystery in today's world. In the midst of the information age and our culture of over-sharing, Guimarães challenges our interaction with the unknown and explores how we can embrace chaos, fear and wonder. Mind-blowing illusions, impossible coincidences, and entirely new perspectives will leave audiences wondering, just how did he do it? Written by Helder Guimarães, with music by Moby, and directed by Frank Marshall, it runs May 15 through June 30 at the Audrey Skirball Kenis Theater at the Geffen Playhouse in Los Angeles. For tickets call 310-208-5454 or visit

“Lady Day at Emerson’s Bar and Grill” The time is 1959, a seedy bar in Philadelphia. The audience is about to witness one of Billie Holiday's last performances, given four months before her death. More than a dozen musical numbers – including “What a Moonlight Can Do,” “Crazy He Calls Me,” “Easy Living,” “Strange Fruit,” “Taint Nobody’s Biz-ness If I Do,” and “God Bless the Child” -- are interlaced with salty, often humorous, reminiscences to project a riveting portrait of the lady and her music. FOR THIS PRODUCTION there will be LIMITED ON-STAGE VIP SEATING. This immersive experience will put you right in the middle of the action! On-stage seating includes a complimentary bottle of wine or champagne, served right at your table for two! Must be 21+ to access ON STAGE seating. Written by Lanie Robertson, and directed by Gregg T. Daniel, it runs May 15 through June 2 at the Garry Marshall Theatre in Burbank. For tickets call 818-955-8101 or visit

“A Bad Year for Tomatoes” Fed up with the pressures and demands of her acting career, the famous Myra Marlowe leases a house in the tiny Vermont hamlet of Beaver Haven, and settles down to write her autobiography. She is successful in turning aside the offers pressed on her by her long-time agent, but dealing with her nosy, omnipresent neighbors is a different matter. In an attempt to shoo them away, and gain some privacy, Myra invents a mad, homicidal sister - who is kept locked in an upstairs room, but who occasionally escapes long enough to scare off uninvited visitors. The ruse works well, at first, but complications result when the local handyman conceives an affection for "Sister Sadie” (really Myra in a fright wig) and some of the more officious ladies decide it is their Christian duty to save the poor demented Sadie's soul. In desperation, Myra announces that her imaginary sibling has suddenly gone off to Boston - which brings on the sheriff, and the suspicion of murder! Written by John Patrick, and directed by Larry Eisenberg, it runs May 16 through June 16 at the Theatre 40, in the Reuben Cordova Theatre in Beverly Hills. For tickets call 310-364-0535 or visit

“At the Table” Six friends head out of the city on their annual weekend retreat. With no social media, no cell phones, no internet allowed at all, this leaves them with one thing to do… look up from their screens and talk to each other. When the liquor starts flowing and the tongues loosen, no conversation is uneventful and no topic is off-limits. In these polarizing times, what does it mean to come to the table and at what cost? Will it bring us together or reveal how far apart we really are? Written by Michael Perlman, and directed by Judith Moreland, it runs May 17 through July 7 at the Road Theatre on Lankershim in North Hollywood. For tickets call 818-761-8838 or visit

“Nunsense” a hilarious musical comedy begins when the little sisters of Hoboken discover that their cook, Sister Julia, has poisoned 52 of the sisters. It was an accident, of course, but now they are in dire need of funds for the funerals. The surviving sisters put their heads together and have decided to use their long lost talents to put on a variety show! Have you ever seen a former circus performer turned Nun come out of retirement to put on a show? Amidst tap dancing, circus tricks and the rest of the convents whimsical talents, join us to see what this little sister of Hoboken (what’s left of them) stir up to help raise money to bury their dearly departed. Written by Dan Goggin, with music by Dan Goggin, and directed by George Strattan, it runs May 17 through June 22 at the Glendale Centre Theatre in Glendale. For tickets call 818-244-8481 Ext. 2 or visit

“Pippin” tells the story of a young prince who longs to find passion and adventure in his life. This beautiful and thought-provoking musical uses the premise of a magical and mysterious performance troupe, led by a Leading Player, to lead the audience through Pippins adventures. Written by Roger O. Hirson, with music by Stephen Schwartz, and directed by Alison Boole, it runs May 17 through June 22 at the Westchester Playhouse in Westchester. For tickets call 310-645-5156 or visit

“Bronco Billy - The Musical” the country’s going crazy; partisan politics, civil rights threatened, technology exploding. That's right, it's 1979! Somewhere in America’s heartland, with more heart than sense, Bronco Billy struggles to keep his traveling wild west show alive. But when Billy and his ragtag troupe of misfits meet Antoinette, a Manhattan heiress on-the-run, the ride gets even wilder as she turns Billy’s world upside down. Written by Dennis Hackin, with music by Chip Rosenbloom & John Torres, additional lyrics by Michele Brourman, and directed by Hunter Bird, it runs May 18 through June 30 at the Skylight Theatre in Los Angeles. For tickets call 213-761-7061 or visit

“Noises Off” is a joyfully out-of-control British farce featuring an under-rehearsed and over-worked cast and crew with a penchant for drama more personal than professional, readying themselves for the world premiere of a new play with the auspicious title, Nothing On. As the production progresses, the bumbling cast brings down the house – literally! Written by Michael Frayn, and directed by Julia Rodriguez-Elliott and Geoff Elliott, it runs May 21 through June 9 at the A Noise Within in Pasadena. For tickets call 626-356-3121 or visit

“Mama Metal” entwines issues of identity with pop culture icons to tell a truly unique mother-daughter story. Sterling Milburn’s mother is dying and Sterling is falling apart. She attempts to keep it together by rewriting the past with the help of two titans of the American theater and the world’s greatest heavy metal band — but Sterling’s mother refuses to follow the script. A love letter to those who shape our lives, hold us together and break our hearts. Written by Sigrid Gilmer, and directed by Deena Selenow, it runs May 23 through June 23 at the Atwater Village Theatre in Atwater Village. For tickets call 323-380-8843 or visit

“Be a Good Little Widow” Young newlywed Melody has never been to a funeral – until her husband dies in a plane crash. Expected to instantly assume proper widowhood, Melody is left to wonder, what's the right way to grieve? Fortunately, her mother-in-law is a professional. Widow, that is. Under her guidance, Melody must try her best to be a good little widow. An emotional comedy about loss and longing. Written by Bekah Brunstetter, and directed by Brandon Baer, it runs May 24 through June 9 at the Odyssey Theatre in West Los Angeles. For tickets call 310-477-2055 Ext. 2 or visit

“Gather: Surprising Stories & Other Mischief” audiences will be transported to wondrous worlds full of legendary creatures and colorful characters in a magical experience for young and old. Traditional folklore including such well-known tales as The Bremen Town Musicians as well as contemporary pieces such as War Game will spring to life side by side. Written by John C. Reilly and Patrick Murphy, and directed by Patrick Murphy, it runs May 24 through June 22 at the Pasadena Playhouse in Pasadena. For tickets call 626-356-7529 or visit

“Ladies” is a fictional account of the real women behind The Blue Stocking Society, the world’s first major feminist movement in 1750’s London, told through a modern lens. The ladies’ ambitious goals soon create scandal in London society and conflicts amongst themselves, escalating into a tangled knot of electric and jagged relationships. These women are emboldened by their righteous cause and burdened by being revolutionaries far ahead of their time. This deliciously funny and irreverent world premiere examines the humanity and passion of these trailblazing ladies, and inspires us to carry on the work they began. Written by Kit Steinkellner, and directed by Jessica Kubzansky, it runs May 24 through June 30 at the Boston Court Pasadena in Pasadena. For tickets call 626-683-6801 or visit

“A Streetcar Named Desire” In the sultry streets of New Orleans, passions flare and cultures collide in this masterpiece. Blanche DuBois, a fading relic of the Old South, searches for refuge at her sister’s home, only to collide with reality in the form of Stanley Kowalski, her sexy and brutal brother-in-law. Written by Tennessee Williams, and directed by Jack Heller, it runs May 25 through July 7 at the Odyssey Theatre in Los Angeles. For tickets call 310-477-2055 Ext. 2 or visit

“Herland” tells the story of Natalie, a recent high school graduate who gets a summer internship working for her elderly neighbor Jean. She is tasked with the special project of creating a DIY retirement home for Jean and her two best friends Louise and Terry. As Natalie helps set up shop in Jean’s garage – formerly a rehearsal space for her ex-husband’s Springsteen cover band – she finds herself planning the next chapter of the trio’s lives together. This is a queer coming-of-age comedy about women growing up, growing old, and growing into themselves. Written by Grace McLeod, and directed by Tiffany Moon, it runs May 30 through June 23 at the Greenway Court Theatre in Los Angeles. For tickets call 323-673-0544 or visit

“Avenue Q” This fresh and unusual Tony-award winning musical is a coming-of-age parable, addressing and satirizing the anxieties associated with entering adulthood. Its characters lament that as children, they were assured by their parents, and by Sesame Street, that they were “extraordinary” and “could do anything”; but as adults, they have discovered,  to their surprise,  that in the real world their options are limited, and they are actually ordinary like everyone else. This quirky musical ranks 24th on the list of the longest running shows in Broadway history. Avenue Q is notable for the use of puppets, animated by unconcealed puppeteers. Written by Jeff Whitty, based on an original concept by Robert Lopez and Jeff Marx, with music by Robert Lopez and Jeff Marx, and directed by Patrick Burke, it runs May 31 through July 7 at the Lonny Chapman Theatre in North Hollywood. For tickets call 818-763-5990 or visit

“Cinderella Topsy Turvey” It's the internationally acclaimed Rudie-DeCarlo musical comedy, and it's getting a make-over as Actors' Repertory Theatre in-conjunction with All the Queen's Men presents this Tender Gender Bender Romantic Musical Fairy Story for Pride 2019. A delightful re-imagining of the classic Cinderella tale brings you upside-down casting - half original practices, half Gilbert and Sullivan, half just plain fun. Meet a handsome Prince, silly stepsisters, a befuddled king, and an out-of-the-box steampunk Fairy godmother. Added delights are the outrageously playful period costumes and the heart-warming romance that blooms with the assistance of a glass slipper, a feather duster, and a truly magical wand. A gentle prod at stereotypical gender roles, this light-hearted send-up is a hilarious twist on the classic tale. Written and directed by Chris DeCarlo & Evelyn Rudie, with music by Evelyn Rudie, it runs May 31 through June 22 at the Santa Monica Playhouse in Santa Monica. For tickets call 310-394-9779 Ext. 2 or visit

“Lend Me a Tenor” It's Cleveland, 1934. The local opera company is set to present Verdi's Otello, starring the world-famous Italian tenor, Tito. After a huge fight with his very jealous wife, Tito receives a double dose of tranquilizers.  Can he go on as planned? An angry wife, a presumed death, crazy costumes, secret sex romps and loads of slamming doors and mistaken identities make for a delightful, farcical comedy! Written by Ken Ludwig, and directed by Sherman Wayne, it runs May 31 through July 7 at the Theatre Palisades Pierson Playhouse in Pacific Palisades. For tickets call 310-454-1970 or visit

...and, if you hurry, there's still time to catch these ongoing productions:

“BRUSHES: A Comedy of Hairs” untangles the hysterically complicated relationship between women and their hair since time immemorial. Brushes with disaster, vanity, envy, self-doubt, sex, death - even the law - are explored in hilarious and poignant style. In a series of vignettes, the follicular follies flow from the Bad Hair Days Inn to a new salon on the block called Blow Me Now. Written by Cathy Hamilton and Carol Starr Schneider, and directed by Kevin Bailey, it runs through May 4 at the Whitefire Theatre in Sherman Oaks. For tickets visit

“Argonautika” In this fresh retelling of the classic Greek myth, Jason and his quest for the Golden Fleece has been reframed for our time. Join the fantastic voyage and encounter Hercules, Hera, sirens, centaurs, and more—familiar mythological figures imbued with unexpected character and depth. Written by Mary Zimmerman, and directed by Julia Rodriguez-Elliot, it runs through May 5 at A Noise Within in Pasadena. For tickets call 626-356-3100 or visit

“Clybourne Park” explodes into two outrageous acts set fifty years apart. Act One takes place in 1959, as nervous community leaders anxiously try to stop the sale of a home to a black family. Act Two is set in the same house in the present day, as the now predominantly African-American neighborhood battles to holds its ground in the face of gentrification. Written by Bruce Norris, and directed by Tory Torissi, it runs through May 5 at the Theatre Palisades Pierson Playhouse in Pacific Palisades. For tickets call 310-454-1970 or visit

“The Lost Virginity Tour” is a comedy about four women recalling their first time, mining the importance of female issues, and the progress made in the past few decades. Funny, profound, and provocative, this adventurous road trip through memories conjures up the choices we make that shape our lives forever – and the friendships that hold us up when we can’t walk on our own. Written by Cricket Daniel, and directed by Kristin Towers-Rowles, it runs through May 5 at the McCadden Theatre in Hollywood. For tickets call 800-838-3006 or visit

“The Secret of Chimneys” In this mystery, a cosmopolitan adventurer on a mission discovers more than he bargained for when he arrives at an English country house and finds himself in the center of a murderous international conspiracy. This sinister plot of stolen diamonds, secret oil concessions and exiled royalty unfolds under the purview of both Scotland Yard and the French Surete. Chimneys is Christie at her best: a comedy of manners laced with murder! Written by Agatha Christie, and directed by Jules Aaron, it runs through May 5 at the Lonny Chapman Theatre in North Hollywood. For tickets call 818-763-5990 or visit

“Sheepdog” Two police officers in Cleveland—they’re partners and they’re in a relationship. She is African American; he is white and things have been good. But what happens if an incident in the line of duty changes the foundation of who they are together? It's a mystery within a love story about Amina and Ryan, and what happens to rock their relationship to its core. Amina has been on the police force for 13 years, and Ryan for 8; and she’ll follow her training to get to the truth in the case that unfolds. And to do that—to solve it—she has to explore her past and those memories serve as clues to the present. Written by Kevin Artigue, and directed by Leah C. Gardiner, it runs through May 5 at the South Coast Repertory in Costa Mesa. For tickets call 714-708-5555 or visit

“Steel Magnolias” Set in a small-town beauty salon in Louisiana, Steel Magnolias celebrates the bond of friendship between six women in the midst of life’s challenges. Written by Robert Harling, and directed by Cameron Watson, it runs through May 5 at the Actors Co-op David Schall Theatre in Hollywood. For tickets call 323-462-8460 or visit

“Tiny Beautiful Things” is about Sugar, an anonymous online advice columnist to whom thousands of people have turned for words of wisdom, honesty and hope. At first unsure of herself, Sugar finds a way to weave her own life experiences together with the deep yearning and real problems of her readers, creating a beloved column about the monstrous beauty, endless dark and glimmering light at the heart of being human. Written by Cheryl Strayed, adapted by Nia Vardalos, and directed by Sherri Eden Barber, it runs through May 5 at the Pasadena Playhouse in Pasadena. For tickets call 626-356-7529 or visit

“The Wolves” Left quad. Right quad. Lunge. A girl’s indoor soccer team warms up. From the safety of their suburban stretch circle, these 16- and 17-year-olds navigate big questions and wage tiny battles with the ferociousness of a pack of adolescent warriors. Written by Sarah DeLappe, and directed by Alana Dietze, it runs through May 6 at the Atwater Village Theatre in Atwater Village. For tickets call 310-307-3753 or visit

“Working 2020” explores what work means to different people in different circumstances in the U.S. today, adding new characters, and this time focusing on the sadly relevant slide from middle to working class. Written by Bobby Moresco, it runs through May 10 at the Whitefire Theatre in Sherman Oaks. For tickets call 818-687-8559 or visit

“Friends with Guns” You think you know your friends, your neighbors, your spouse, but what happens when you suddenly find out they have a garage full of guns? This new dark comedy explores the complicated issue of gun proliferation when two young liberal couples are forced to confront their assumptions about who should own a gun and why. The time of easy answers regarding this issue is long gone. In the wake of current events, we are all forced to reexamine our strongly held beliefs about gun ownership. It explores the question of what we can compartmentalize…and what we can’t. It examines what happens when guns enter the conversation. It pulls the curtain back on liberals with guns. It asks what happens when suddenly one person in a marriage does a 180 on the gun issue. And it does all of this through a female lens. Written by Stephanie Alison Walker, and directed by Randee Trabitz, it runs through May 11 at the Road on Magnolia in North Hollywood. For tickets call 818-761-8838 or visit

“All My Sons” this electrifying family drama remains as timely as it is timeless. A gripping American classic reveals the lethal consequences of deceit and greed. In the aftermath of WWII, Joe Keller and his family struggle to stay intact while planning for their future as a long-hidden secret begins to tear them apart—forcing a reckoning with truth, guilt, and repentance. Written by Arthur Miller, and directed by Gary Lee Reed, it runs through May 12 at the Lounge Theatre 1 in Los Angeles. For tickets call 323-960-5570 or visit

“Bar Mitzvah Boy” Joey Brant is a Jewish divorce lawyer in his 60s. He has never had a bar mitzvah ceremony. He feels the need to get one now, before his grandson has his bar mitzvah. For reasons which will become clear in the story, Joey’s bar mitzvah ceremony must take place at the synagogue he attended five decades ago. Joey, a thoroughly secularized man, must now re-connect with the faith of his ancestors. He promptly alienates the synagogue’s regular instructor, which means that Joey must now go to the temple’s rabbi for his bar mitzvah lessons. Rabbi Michael Levitz-Sharon, a woman, finds her faith challenged at the same time that Joey is rediscovering his spiritual roots. her 11-year-old devoutly Jewish daughter has contracted terminal cancer. The daughter, Rachel, wants nothing more than to live long enough to be bat-mitzvahed. The impending tragedy is taking its toll on Rabbi Michael’s marriage. Will Joey at long last have his bar mitzvah and find his faith? Can Rabbi Michael retain her beliefs? Written by Mark Leiren-Young, and directed by Howard Teichman, it runs through May 12 at the Miles Memorial Playhouse in Santa Monica. For tickets call 323-821-2449 or visit

“Birdland Blue” At Broadway and 52nd Street in New York City, the nightclub Birdland was the legendary center of the jazz world, where the glitterati of Broadway, Hollywood and the sports world regularly filled its 500 seats. In August, 1959, the biggest star in jazz was Miles Davis, who earlier that year recorded Kind of Blue, regarded then and now as the most innovative and best jazz album of all time. The Miles Davis Sextet, as constituted that summer, was regarded as the best jazz combo ever. This is a behind-the-scenes look at Miles on one evening that August. He flirts with a beautiful reporter for a jazz magazine. He copes with division within his ranks, as two of his musicians (Julius “Cannonball” Adderley and John Coltrane) are on the verge of leaving the Sextet to start their own groups. He deals with substance abuse problems, his own and that of one of his musicians. He argues with the club owner/manager over proper compensation. His biggest challenge may be coming from a violent, crooked, racist cop. Written by Randy Ross PhD, and directed by Ben Guillory, it runs through May 12 at the Los Angeles Theatre Center in Los Angeles. For tickets call 866-811-4111 or visit

“Duet for One” A famous concert violinist is stricken with a disease which necessitates her retirement from the stage and which threatens her marriage as well. The play is structured as a series of interviews between the violinist and her psychiatrist in which she tries to cope with her illness and its effect on her life. Written by Tom Kempinski, and directed by Allen Barton, it runs through May 19 at the Beverly Hills Playhouse in Beverly Hills. For tickets call 800-838-3006 or visit

“Faith Healer” about the life and times of an itinerant Irish healer. Is Fantastic Francis Hardy a miracle worker — or a showman in search of a dollar? Written by Brian Friel, and directed by Ron Sossi, it runs through May 12 at the Odyssey Theatre in Los Angeles. For tickets call 310-477-2055 Ext. 2 or visit

“The Niceties” At an elite East Coast university, an ambitious young black student and her esteemed white professor meet to discuss a paper the college junior is writing about the American Revolution. They’re both liberal. They’re both women. They’re both brilliant. But very quickly, discussions of grammar and Google turn to race and reputation, and before they know it, they’re in dangerous territory neither of them had foreseen — and facing stunning implications that can’t be undone. Written by Eleanor Burgess, and directed by Kimberly Senior, it runs through May 12 at the Geffen Playhouse in Los Angeles. For tickets call 310-208-5454 or visit

“Revolutions/Revoluciones” A highly theatrical fever-dream that employs magical realism to tell the kaleidoscope journey of a strong and passionate woman facing an impossible tragedy. A desperate mother searches for her disappeared son amidst a totalitarian regime in an unnamed Latin American country. Presented in Spanish with English supertitles. Written by Elaine Romero, and directed by Bruno Bichir, it runs through May 12 at the Los Angeles Theatre Center in Los Angeles. For tickets call 866-811-4111 or visit

“Singin' in the Rain” The Greatest Movie Musical of All Time has been faithfully adapted from the original award-winning screenplay. Each unforgettable scene, song and dance is accounted for, including the show- stopping title number, complete with an onstage rainstorm! Knock-‘em-dead dance routines, hilarious situations, snappy dialogue, and a hit-parade score of Hollywood standards make this the perfect entertainment for any fan of the Golden Age of movie musicals! Written by Betty Comden & Adolph Green, with music by Nacio Herb Brown and Arthur Freed, and directed by Spencer Liff, it runs through May 12 at the La Mirada Theatre for the Performing Arts in La Mirada. For tickets call 562-944-9801 or visit

“The Things We Do” Bill falls for Sarah, but she is married to Ted. Ted might be a good match for Alice — who is married to Bill. Once trust is broken, how do you get it back? Written by Grant Woods, and directed by Elina de Santos, it runs through May 12 at the Odyssey Theatre in Los Angeles. For tickets call 310-477-2055 Ext. 2 or visit

“A Small Group” an aspiring young comedian wakes up in rehab and can’t remember how he got there. He doesn’t believe he belongs there; does he, or doesn’t he? Tormented by the ticking clock, the chugging water cooler, and the buzzing flies, sometimes life isn’t a comedy bit. Written by Taylor Gregory, and directed by Jacob Ortuño, it runs through May 18 at the Hudson Theatre in Hollywood. For tickets call 323-960-7773 or visit

“Brain Problems” After being diagnosed with ‘brain problems,’ a cynical man copes with his life-threatening condition by retreating into his imagination. Written by Malcolm Barrett, and directed by Bernardo Cubria, it runs through May 19 at the Pico in West Los Angeles. For tickets call 323-798-5389 or visit

“Sister Act, the Musical” tells the story of Deloris Van Cartier, a disco nightclub diva, who witnesses a murder committed by her mobster boyfriend, Curtis Jackson, after which Deloris is placed in a witness protective program in a convent under the custody of the local police department. Comedy ensues as Deloris dons a nun’s habit to go undercover as “Sister Mary Clarence,” while attempting to acclimate herself into her new lifestyle in a convent. Written by Cheri and Bill Steinkellner, with additional book material by Douglas Carter Beane, with music by Alan Menken, with lyrics by Glenn Slater, and directed by Rigo Tejeda, it runs through May 19 at the CASA 0101 Theater in Boyle Heights. For tickets call 323-263-7684 or visit

“Swing!” tells the story of Adrianna, a factory worker in the 40’s who is holding down her husband Butch’s factory job while he’s at war. Once he returns home, both Adrianna and Butch feel like they don’t fit into their old lives. When she meets Janine, Adrianna rediscovers old passions that she put away when she was first married. While her feelings blossom for Janine, Adrianna ‘s love for her husband is also rekindled. Adrianna’s difficult choice in a time of forbidden love fuels this passionate musical journey. Written by Michael Antin, with music by Michael Antin, and directed by Corey Lynn Howe, it runs through May 19 at the Write Act Repertory (at The Brickhouse Theatre) in North Hollywood. For tickets visit

“Crime and Punishment” is a thrilling 90-minute psychological inquiry into the troubled mind of a murderer. Dive into the greatest crime story ever written, a tale of murder, motive and redemption that plumbs the depths of the human soul. Written by Fyodor Dostoevsky, adapted by Marilyn Campbell and Curt Columbus, and directed by Peter Richards, it runs through May 26 at the Edgemar Center for the Arts in Santa Monica. For tickets call 323-960-7822 or visit

“Dr. Nympho vs. The Sex Zombies” Every family has issues. No issues run deeper than those of the brilliant pathologist and matriarch Dr. Nimfa Delacroix. She was a nymphomaniac in the past but now lives a “normal life” with her nuclear 21st century family. All of her demons must be confronted however, when the outbreak of a deadly STD launches in Atlanta, turning its residents into zombies that promises the end of civilization. Can Nimfa unite her family? Can she overcome her past? Can she save the world? For Mature Audiences 18 and older. Written by Michael Shaw Fisher, with music by Michael Shaw Fisher, and directed by Sarah Haworth-Hodges, it runs through May 26 at the Celebration Theatre in Los Angeles. For tickets call 323-957-1884 or visit

“Macbeth” This new take on the classic story of the rise of the King of Scotland examines the sacrifices and consequences women face in their quest for power and recognition, as inspired by the Norse tradition against the backdrop of the Viking invasion. Written by William Shakespeare, and directed by Bree Pavey and Emma Latimer, it runs through May 27 at the Loft Ensemble in Sherman Oaks. For tickets call 818-616-3150 or visit

“Boxing Lessons” When a famous writer dies under mysterious circumstances, family and friends gather in his cabin on a remote island in the Puget Sound to box up his belongings. As they go through the clutter dad left behind, hidden family secrets come to light — and they come to realize just how much they both despise and love one another. Written by John Bunzel, and directed by Jack Stehlin, it runs through June 2 at the New American Theatre in Hollywood. For tickets call 310-424-2980 or visit

“The End of Sex” It’s Nancy’s birthday. Her daughter and son-in-law come to take the parents out to celebrate. But when new desires and old frustrations collide over dinner, all four slide into a tense standoff as Nancy questions her own collusion with the sexual agreements and power dynamics within her own marriage. Written by Gay Walch, and directed by Maria Gobetti, it runs through June 2 at the Victory Theatre Center in Burbank. For tickets call 818-841-5421 or visit

“Lemur Mom” Megan Dolan has the distinct feeling that she's not the right mom. As she navigates the treacherous world of support groups, child psychologists, and play-dates trying to help her son communicate, she makes countless wrong turns along the way. This hilarious and hopeful solo show explores the power of resilience, kindness, and the value of showing up. Megan forges a path from believing she's the wrong mom to knowing she's the only mom for her unique and gifted son. Written by Megan Dolan, and directed by Wendy Hammers, it runs through June 2 at the Whitefire Theatre in Sherman Oaks. For tickets visit

“The Marriage Zone” Cal and Beth are selling their home. They’re visited by Skip and Ellie, an engaged couple, very much in love who are eager to buy their first home. They’re joined by Mike and Liz, apparently a couple of lookie-loos who decided to drop by and take a peek at the house for sale. The three couples get to chatting and begin to marvel at just how much they have in common. WAY too much in common, in fact. So much in common that it begins to become surreal. Written and directed by Jeff Gould, it runs through June 2 at the Santa Monica Playhouse in Santa Monica. For tickets call 800-838-3006 or visit

“The Miraculous Journey of Edward Tulane” In this powerful and highly stylized story, Edward Tulane is a porcelain rabbit who must learn the meaning of love: what it is to love, what it is to lose that love and how to find the courage to love again. Written by Kate DiCamillo, adapted by Dwayne Hartford, with music by Bradley Brough, and directed by Debbie Devine, it runs through June 2 at the 24th Street Theatre in Los Angeles. For tickets call 213-745-6516 or visit

“Women Beyond Borders” a play inspired by and loosely based on the remarkable journey of Lorraine Serena and a dynamic group of California-based artists who founded the non-profit Women Beyond Borders (WBB). Determined to “make art as if the world matters,” Serena and her friends fell upon the idea of box as metaphor: hope chest, treasure chest, womb, coffin, etc. They replicated a miniature wooden box no bigger than the size of a human heart and sent the boxes to curators and friends in other countries with the goal of encouraging dialogue, collaboration and community among women and honoring creativity. The founders of WBB were astonished at what came back to them – eloquent expressions of the enormous depth and variety, but also the universality, of women’s experiences throughout the world. The boxes were accompanied by equally astonishing artists’ statements, in the form of letters, poems and stories asking about transcending barriers: geographical, social, racial, economic, emotional, gender-related, spiritual, etc. Written by Claire Bowman, Karyl Lynn Burns, Lauren Pattenand Beverly Ward, and directed by Jenny Sullivan, it runs through June 2 at the Rubicon Theatre in Ventura. For tickets call 805-667-2900 or visit

“Diana of Dobson’s” When poorly paid worker Diana inherits enough money to free her from a lifetime of drudgery, she impulsively decides to spend it all on a madcap, month-long taste of the high-life. But what she learns about love, money and society is as timely in 2019 as it was at the turn of the 20th century. Antaeus Theatre Company presents a fully partner-cast production, presenting two equally excellent but very different sets of actors at alternating performances. Written by Cicely Hamilton, and directed by Casey Stangl, it runs through June 3 at the Kiki & David Gindler Performing Arts Center in Glendale. For tickets call 818-506-1983 or visit

“Old Jews Telling Jokes” which has been called a “pickle-barrel full of giggles,” showcases five actors in a revue-type production that pays tribute to and reinvents classic jokes of the past and present. It celebrates the rich tradition of Jewish humor and ‘all the rabbis, complaining wives, fed-up husbands, patience-challenged physicians, gossiping ladies, and competitive men’ populating it. The humor is suggestive and even raunchy as the ‘Old Jews’ make fun of themselves as well as followers of every other religion. Written by Peter Gethers and Daniel Okrent, and directed by Jeremy Quinn, it runs through June 16 at the Colony Theatre in Burbank. For tickets call 855-448-7469 or visit

“Mistakes Were Made - Coulda-Woulda-Shoulda” Dick's mistake: He let a sexy, blue-eyed winker threaten his marriage. Jeff's mistake: He turned down a dream job, then later, screamed, "You idiot!" Mel's mistake: He hired a famous money manager, now famous for stealing money. Dick's wife's mistake: She trusted him, then learned of his affair and had one too. NOBODY'S PERFECT! But mistakes can be fixed, between husbands and wives, girlfriends and boyfriends, fathers and sons. Written by Jerry Mayer, and directed by Chris DeCarlo, it runs through June 30 at the Santa Monica Playhouse in Santa Monica. For tickets call 310-394-9779 Ext. 1 or visit

“Trump in Space” Four hundred years from now, thanks to the stripping away of EPA regulations, the earth has blown up. Two human factions survive and are on the hunt for Polaris 4, a planet capable of sustaining human life. One faction, the United States of Commerce, lives by a motto of “opportunity at any cost.” Ruled by The Executive, his chief representative in space is starship Captain Natasha Trump, a lineal descendant of Donald J. Trump. Competing with her to reach Polaris 4 first is a resistance called The Separatists, gathered on the Starship California and led by President Gary Hart, Natasha’s ex-lover. Which faction will be the first to reach Polaris 4 and establish the New Cosmic Order? Written by Gillian Bellinger and Landon Kirksey, with music by Tony Gonzalez and Sam Johnides, and directed by Frank Caeti, it runs through August 16 at the Second City Hollywood Studio Theatre in Hollywood. For tickets call 323-464-8542 or visit


Enjoy life more – see a show tonight!